![]() ![]() Their take on the song became an international hit, but it also provoked the ire of local government, who had it banned from the radio. Júnior e Leonardo’s 1994 song “ Rap das Armas” was a potent criticism of urban violence, and a cover version recorded in 2007 by MC Cidinho and MC Doca updated the song’s lyrics to include a protest of police drug sweeps through the favela. Songs focused on dancing and partying were offset by those that addressed political issues-like poverty, violence, crime, drugs, and racism. In the ‘90s, the music began to move toward the mainstream with DJ Luciano Olveira’s creation of the tamborzão beat, a variation of capoeira that remains popular 20 years later. In its early stages, funk carioca was built from drum machine loops and a small palette of samples-like DJ Battery Brain’s “ 8 Volt Mix” and Hassan’s “ Pump Up the Party.” Local DJ’s would blend these influences into a bass-heavy, booty-banging, repetitive style of dance music that would blast from sound systems at all-night baile funk dance parties. ![]() Funk carioca, a breathless style of Brazilian music inspired by Miami bass and early hip-hop, first emerged out of the favelas of Rio de Janeiro in the 1980’s. ![]()
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